![]() ![]() These fans own rare and previously unreleased recordings of major artists and trade them among each other. Like the Wes Montgomery set that I reviewed yesterday, this two-CD set with a 36- page booklet of liner notes and interviews was produced by Zev Feldman.Īccording to Zev's introductory essay, the tapes were in the possession of a friend of Leon Terjanian, a resident of Strasbourg, France, who is among the world's many “trench coat" tape collectors. The recording has just been released on Evans in England (Resonance). The music captured Bill at his gentle and poetic best, a throwback to his playing of several years earlier. At various points during the month, the gig was beautifully recorded. Later that month, the trio recorded live in Copenhagen (Jazzhouse) and Amsterdam (Quiet Now).įinally, on December 1, the Bill Evans Trio opened at Ronnie Scott's Jazz Club in London, a run that would last until December 27. ![]() Back in New York in early November, Evans began recording From Left to Right, his moody Fender Rhodes-acoustic piano album backed by an orchestra. Then they moved on to Holland in March (Live In Hilversum 1969) and Italy in July (Autumn Leaves). In February, the trio was recorded furtively at New York's Village Vanguard (The Secret Sessions). ![]() In January and March, Evans with bassist Eddie Gomez and drummer Marty Morell recorded What's New with flutist Jeremy Steig. The year 1969 was a busy one for pianist Bill Evans. ![]()
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